Showing posts with label Cannonball Adderley. Show all posts
Showing posts with label Cannonball Adderley. Show all posts

Thursday, December 9, 2010

Eddie "Cleanhead" Vinson with the Cannonball Adderley Quintet - Back Door Blues [1961 - USA]

I attended a toys and collectibles expo over the weekend at the Santa Clara Fairgrounds and came home with way too many records as usual. I thought I bought a Shirley Scott LP, but when I got home I discovered that inside the sleeve was actually Eddie "Cleanhead" Vinson's Back Door Blues. I had never heard of Cleanhead, but I'm huge Cannonball fan. Turns out I'm really pleased with the mistake; this is now one of my new favorite albums.

By the way, Eddie "Cleanhead" Vinson got hit nickname after some lye burned his hair off trying to conk it.

Eddie "Cleanhead" Vinson - vocals
Julian "Cannonball" Adderley - alto sax
Nat Adderley - cornet
Joe Zawinul - piano
Sam Jones - bass
Louis Hayes - drums

enjoy

Thursday, April 23, 2009

David Axelrod - Marchin' [1980 - USA]

Not to be confused with Predident Barack Obama's Senior Advisor, David Axelrod is a living legend in the world of jazz-funk and hip-hop. Some cite him as being the originator of trip-hop decades before it was labeled a genre.
Axelrod began his career in the early 60s as a producer for Capital Records working with artists such as Cannonball Adderley, Lou Rawls, David McCallum, and the Electric Prunes. From 1968-1980 he released 9 brilliant solo albums, but was frustrated that they never received the recognition or financial success they deserved. Not atypical of a brilliant musician that is not willing to dumb his music down for the masses, he sank into a episode a depression, torment, and substance abuse. It wasn't until 1996 when DJ Shadow released the trip-hop classic Endtroducing that he was rediscovered among a new generation of DJs and producers. Shadow's powerful track "Midnight in a Perfect World" features a sample from Axelrod's song "The Human Abstract" off his 1969 album Songs of Experience that made beat miners' heads spin. Since then, nearly all of his records have been re-released (but not this one) and Axelrod is finally getting the recognition and cash he deserves.

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